Hello,
I am wondering whether there is also intonation in Manding.
Thanks
Hi Malik!
It depends on what you mean by āintonationā.
For linguists, intonation refers to the way that āfundamental frequencyā of oneās voice changes during the course of an utterance.
As you know, Manding is a tonal language which means that the fundamental frequency (that is, the pitch) of your voice plays a role both in terms of lexical items (that is, words; baĢ
āriverā vs baĢ
goatā) and grammar (e.g., MuĢsoĢ Ģ tÉĢ yaĢn
āThe woman isnāt hereā vs MuĢsoĢ tÉĢ yaĢn
āA woman isnāt hereā).
From this perspective, āthere is intonationā in Manding because changes in oneās fundamental frequency change the meaning of an utterance (or even individual words).
But the term āintonationā is not generally used in describing lexical and grammatical tone in Manding. Instead, linguists would say āManding is tonalā or āManding has tonesā, etc.
Above the level of lexical and grammatical tones, however, there is potentially a place for āintonationā in analyzing Manding. This is because just like in English, one can apply different intonations during the course of oneās utterance that change influence or even ānullifyā the underlying grammatical and lexical tones that linguists like to isolate and identify in idealized sentences.
(I summarized a number of these in this little write-up about the book āThe Epic of Sumanguru Kanteā, which includes a bunch of specialized conventions for marking what the authors call ādiscourse featuresā related to intonation and prosody.)
So to answer your question, yes, there is āintonationā (or something similar) in Manding, but it is distinct from tone (and also potentially it has a different definition than that of intonation in the context of discussing English).